Tuesday, May 29, 2007

Assault on Hunny Bees

My last post today... I promise.
Salon has a really complex but helpful interview with four bee and polination experts discussing the recent drop in bee population and the relating factors. Apparently, there are a number of factors, all of which have been proven to affect the health of the population, but none of which can account for the scale of the problem.

I think we are facing a series of problems like this, problems that are environmental in nature, and this has been a real eye-opener for me as to how poorly prepared this country and countries around the world are in taking note of how climate change or global change will impact our ecosystems. Humanity is affecting our ecosystems, and it's very complex to determine whether this is due to environmental change or some disease. You can see now that it is very difficult to pull these things apart.
The fact that Christians aren't leading the charge in issues like the catastrophic decline of the honeybee and other polinator population is crazy. For me, it all boils down to the really poor to non-existent doctrine of creation and ensuing experience of the world many of us have. The experts are right; if the bee population can't sustain the polination demand, it's not like we're going to get our produce somewhere else. We're screwed. Hopefully someone will write a sequel to Assault on Reason and call it Assault on Hunny and my Tummy.

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Vanhoozer nearly kills monkey

For those of you that know me, you'll remember that I spent three really formative and harrowing years under the tutelage of Kevin Vanhoozer in Deerfield, IL. Well, some of you may also know that during that time I helped KJV in a really small way by reading the first few chapter drafts of his Drama of Doctrine (I even got a thanks in the book for my small part). Anyway, I found this really delightful blog post on the DofD that I thought I'd share with you all. Enjoy

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Pirates of the Never Ending Story about the Caribbean


At least, about 2.5 hrs into the newest installment of Pirates of the Caribbean: At World's End (hereafter PC), I felt like it was a neverending story. Not that it was that bad, but rather that it could have been shorter. Kate and I agreed that PC would have been more coherent, less like the runon sentences you occasionally read here at TLOU, had it been shorter - this coming from someone who just watched all three Lord of the Rings movies in their extended versions! As many of the reviews have indicated, the push for action and CG suffocated the drama, although Johnny Depp's schizophrenic routine really added a new element to the Jack Sparrow character. I'm not going to try draw any profound conclusions from the movie, because if there were any, I probably lost track of them at that 2 hour mark.

Speaking of Lord of the Rings, thanks to Jay for drawing Aron's and my attention to The Children of Hurin (click the link for an interesting writeup), a new volume edited by Christopher Tolkien, an expansion of Tolkien's notes on a shorter story from the Silmarillion, and the newest addition to the TLOU bookclub. Summer reading, anyone?

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Friday, May 25, 2007

Where the Father was, there Shall I be

I guess I should have just posted my proposal! But don't ask me for more (that is, until the proposal gets accepted and I actually have to write the paper)

Considering the importance of the Imaginary register in children’s literature, it is no surprise that the Harry Potter series by J.K. Rowling, the best selling children’s books ever, has some fairly typical imaginary/fantasy elements, such as wizards and witches with improbable powers. Rowling, though, has stated that her books are simply “about death”—the one element which fantasies seem to always miraculously avoid. While the genre of fantasy in its purest sense obviates death, and thus the dimension of theReal, Rowling’s book are structured such that the Imaginary realm is always running into its own limit, the paths of fantasy always being surprised by the stroke of death.
The structure of Harry’s fantasy world, and consequently the structure of the books themselves, is centered on the loss of his parents, but especially that of his father, whose specter makes an appearance in book three, Harry Potter and the Prisoner of Azkaban, as part of a unique time travel sequence. Unlike most time travel sequences which are structured such that an alternative time thread must be created which runs parallel to the “real” time, and which functions as a powerful fantasy of how life could be “if only. . .” the sequence in this book maintains only one history—but with a twist. When Harry and his friends go back in time to ensure that Harry’s godfather, Sirius Black, is able to elude capture, we realize that everything they go back in time to do had already been accomplished by their time traveling selves. This would merely be a typical time-traveling conundrum were it not for the intrusion of the Real in the form of an impasse within the Imaginary. At the end of the initial narration Harry is saved from a gruesome death by the apparition of a stag controlled by what he takes to be the ghost of his deceased father. In the second narration the time traveling Harry, in a moment of shock, realizes that it was not his father who had conjured up the saving image but that it is his present, time-traveling self that must take the responsibility to perform the difficult charm.

The time travel sequence reiterates a theme that is present throughout the whole series, namely, that Harry must come to terms with his desire that his father could save him, or the fantasy that he might never have lost him. When Harry steps into the place that he had reserved for his father by performing the conjuration himself, we have a moment analogous to what Lacan referred to as the “traversing of the fantasy.” At this moment the fantasy dies, yet inasmuch as Harry is able to act from the place at which his fantasies had controlled him, we witness a sublimation in the Lacanian sense, that is, a re-structuring of the relationship of the Imaginary order to that of the Real, such that the Imaginary does not function to block the Real, but to maintain it, as well as the subject’s minimal distance from it.

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Why read Harry Potter?

I just finished writing up a proposal for this book on Lacan and Children's Literature in which I argue that one of the powerful things about the Harry Potter books is the way in which the Imaginary order is always cut by the Real, by Death. Harry's biggest fantasies concern the care that his parents, or Sirius, or Dumbledore might provide him, and as the books progress these supports get taken away from him, one by one. I also argue that the structure is that of a mobius strip, such that the opposition between the Imaginary and the Real is intrinsic to the structure of the fantasies of the characters. Rowling herself said the books are about death, which, in my opinion, the (pure) genre of fantasy has always completely obviated. Rowling, though, sets out like she's going to give the traditional weight to the imaginary elements (the overblown powers, the ridiculous dualisms) but then always manages to be very surprising in the way these fantasies run into their very own Real limits. The books are theologically right on, as well, for the very simple fact that Harry loves because he is not afraid to die.

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Wednesday, May 23, 2007

Hall 4 - Natural Law and Reason & Faith

The fourth and fifth sections of the Outlines, chapter 1, continues Hall's attempt to delineate the natural and supernatural. In my reading, Hall suffers primarily here by delineating science and theology enough that, in so doing, creates an emancipated, secular science that is able to carry on entirely in the absence of theology, regardless of how much he wants it to want the input of faith and the church.

Hall begins by elucidating the "natural order" or the phenomenal world, in which certain observable "laws" or regulating forces maintain a uniformity of experience. However, this uniformity must not mislead one to believe that this is an eternal or everlasting cosmos, as neither science can prove nor revelation attests to such. Rather, revelation states that "this order will, in due time, give place to a new one." Moreover, the phenomenal world has seen the breaking in of miracles and the supernatural, as testified to by the ancients' preoccupation with the uniformity of the supernatural long before interest in natural laws grew. "Theological science is more ancient than physical science—in fact, the mother of it." As such, Hall posits the following division of disciplines:

So long as natural science confines itself to the investigation of nature as such, and theological science to the theistic and spiritual interpretation of facts undeniably established, there can be no conflict. But when natural scientists undertake to advance theological interpretations of their results, a collision is apt to occur between their crude speculations and more mature Theology. And when theologians continue to rely upon exploded views of nature, basing theological speculations upon them, a conflict occurs between out-of-date and up-to-date natural science. As Dr. Pusey says, unscience, not science, is adverse to Faith.
Reason and faith, then, are both important in the theological project. Reason according to Hall is "an intellectual process making for the acquisition of truth... invariably conditioned in its exercise by the will and affections." Faith, while having several different modes, is here "a department of reason, although dependant upon supernatural grace... the spiritual faculty by which we discern spiritual things." Thus, being an exercise of reason, "the laws of human reason hold good." Grace becomes important to Hall here, in that grace is vital to one's very ability to grasp supernatural knowledge. Consequently, he grants a special place to the sacraments inasmuch as they expose one to grace. Access to grace through faith is most evident in the common statements of faith embraced by the "Greek, Latin, and Anglican (churches)... with but slight verbal variations and with the same meaning... significant, in view of the diversity of races and usages which exists, and the age-long mutual hostility which has prevailed. Such consent is not to be found elsewhere." Rationalism, then, is not some pure form of access to reason, but is a crippled endeavor simply by virtue of its prima facie rejection of ecclesial authority.

While it seems that Hall's definition of natural and supernatural probably got a lot of mileage, particularly among more technologically or scientifically minded Christians (Janet comments on this is a previous posting's comment section), and maybe I'm even detecting a hint of CS Lewis' Miracles, his language is ultimately uncompelling and rather flat to me. I'm especially uneasy about his division of territory between science and theology. This is possibly due to Hall attempting to hedge the claims of science, and my nostalgia for cosmologies like Maximus', in which a theological understanding of the world not only precedes but informs a natural one, in which there is no comprehensive understanding of the natural world that does not flow from an initial engagement with that world's creator. Furthermore, while he tries to ward off the notion of an universal scientific reason, his separation of powers between science and theology seem to grant that there is a space apart from theology in which a kind of positivist and exhaustive scientific knowledge is possible. Of course, it now is commonplace to reject such notions almost entirely on their naivete toward the place of interpretation in all things, scientific or theological. Similarly, one could ask exactly what Hall means by a natural order, and whether investigation of such includes ontology. He certainly isn't clear as to how broad or narrow he expects the study of the natural order to be, but philosophers might make a convincing case for their autonomy under Hall's system. Conversely, if anthropology and ontology are theological topics, or at least not wholly secular disciplines, then Hall's secular science will be surely lacking in its exercise. My thomist friends can probably spell out for me how Thomas answers many of these questions, and I probably should point you all to this book as it helped me flesh a little bit of this out for myself as I was typing this post.

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Tuesday, May 22, 2007

2007 Michael Ramsey Prize for theological writing

Rowan Williams has awarded the 2007 Michael Ramsey prize to the master of the worldwide order of Dominican Friars, Timothy Radcliffe for his book What is the Point of Being a Christian?

While I would like to see the award used to highlight excellent Anglican scholarship, since academic theology gets relatively little attention (whether by Anglicans or otherwise), hopefully the award will raise more awarness about Michael Ramsey's work.

I suggest to you that as the Cross and the resurrection were the spearhead of the gospel's relevance and potency in the first century, so they can be also for our contemporary world. Ours is a world full of suffering and frustration: of what significance to it is Jesus who lived and died nearly two thousand years ago? The answer is chiefly this: that in the death and resurrection he shows not only the way for human beings, but the true image of God himself. Is there, within or beyond our suffering and frustrated universe, any purpose, way, meaning, sovereignty? We answer, yes, and the death and resurrection of Jesus portray this purpose, way, meaning, and sovereignty as living through dying, as losing self to find self, as the power of sacrificial love.

Thanks to Ben for the link.

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Sunday, May 20, 2007

Sir Ken Robinson: Do schools kill creativity?

I've been subscribing to TED posts in Google Reader for quite a while now, but I always seem to miss the best stuff. Thanks to AKMA for drawing our attention to this today. The video below is of Sir Ken Robinson's talk at the 2006 TED conference. I've typed out a couple of the really salient parts of his discussion.

Salient = things i'm interested in. so what.

My contention is that all kids have tremendous talents, and we squander them, pretty ruthlessly... My contention is that creativity, now, is as important in education as literacy, and we shoudl treat it with the same status.
...Intelligence is interactive. The brain isn't divided into compartments. Creativity...more often than not comes about through the interaction of different disciplinary ways of seeing things.




For those of you that are savy with ipods and podcasting, there's a link on the TED site (linked in this post's title) to download the video of this to itunes. enjoy

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Friday, May 18, 2007

In Praise of Shame

Joan Copjec's article "May '68, the Emotional Month" which appears in Lacan: The Silent Partners (Ed. Slavoj Zizek) fleshes out Lacan's distinction between shame and guilt in which shame is the experience, very close to anxiety, of being overly proximate to objet a, the object cause of desire. Guilt, on the other hand, is called a sham jouissance by Lacan and betrays a flight from anxiety, and thus a flight from Being. There is a play on the French word for shame (honte) and the science of being (ontology) giving us the neologism, hontology. Guilt arises because one has fixed one's response to the encounter with the object that induces anxiety, in a desperate effort to control the situation. Copjec writes: The fraudulent nature of this jouissance has everything to do with the fact that it gives one a false sense that the core of one's being is someething knowable, possessable as an identity, a property, a surplus-value attaching to one's person." (109) How then shall we steer clear of this transformation from shame into guilt, especially seeing that capitalism is founded on such a universal move of taking loans out on our shame, securing a future at the cost of Being. One helpful image that Copjec gives us is of the veil that covers this place of shame. Shall we avert our eyes from it? Shall we rip it off? Shall we tremble in fear of the priests who stand before it? Is it not clear that these are all responses which engender guilt (which, don't forget, has its own peculiar pleasure)? Copjec urges us to notice the veil itself, to enter into its arabesques, to thank God for the distance that it affords us, the breathing room. I've been looking at the wonderful images on Davis' blog, all of which are veils upon the almighty. For our words to be good words, we must speak from these terrible places, from these veils that inspire terror and unknowing. There is no way to abolish anxiety (as Auden said, it is the condition of human existence, and in this way our age is most honest) but there is a way to transform our relationship to it.

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Wednesday, May 16, 2007

Yves Congar discusses Tradition

There's been two recent posts this week that quote at length from Yves Congar's The Meaning of Tradition. Some of Congar's ideas in the Intro relate to the recent discusson here re: Milinerd's and Reno's comments on Theological Education and Art Discourse, so I thought I would quote a small bit.

Paul Claudel compared tradition with a man walking. In order to move forward he must push off from the ground, with one foot raised and the other on the ground; if he kept both feet on the ground or lifted both in the air, he would be unable to advance. If tradition is a continuity that goes beyond conservatism, it is also a movement and a progress that goes beyond mere continuity, but only on condition that, going beyond conservation for its own sake, it includes and preserves the positive values gained, to allow a progress that is not simply a repetition of the past. Tradition is memory, and memory enriches experience. If we remembered nothing it would be impossible to advance; the same would be true if we were bound to a slavish imitation of the past. True tradition is not servility but fidelity.

This is clear enough in the field of art. Tradition conceived as the handing down of set formulas and the enforced and servile imitation of models learned in the classroom would lead to sterility; even if there were an abundant output of works of art, they would be stillborn. Tradition always implies learning from others, but the academic type of docility and imitation is not the only one possible: there is also the will to learn from the experience of those who have studied and created before us; the aim of this lesson is to receive the vitality of their inspiration and to continue their creative work in its original spirit, which thus, in a new generation, is born again with the freedom, the youthfulness and the promise that it originally possessed.
At last year's AAR, Hans Boersma gave a paper in response to Vanhoozer's Drama of Doctrine in which he suggested that Vanhoozer could benefit from appropriating Congar into his overall picture of how doctrine is developed and implemented. I confess that I don't remember much of his paper and can't find it in article form online. But I think the salient point is that inherent even to a proposal as generous as Vanhoozer's is the tension between the Protestant and Catholic relationship to scritpure, the (sometimes) radical individualism of sola scriptura and the perceived crustiness and equally rigid rules of tradition. In Congar's words:
[S]ince the Reformation there is controversy between Christians on "Scripture versus tradition", a controversy on the rule of faith.
At the dualism goes on...

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Saturday, May 12, 2007

Three Views of the Eucharist? (Eventual) ruminations on the place of the Eucharist in Anglican theology

Per Caritatem has an interesting 3 part series on a Reformed View of the Eucharist by Mike Vendsel that just ended last thursday. Vendsel reviews Douglas Farrow's article, "Between the Rock and a Hard Place: In Support of (something like) a Reformed View of the Eucharist". I must confess, I didn't know there was such a thing. Just goes to show the state of catechesis when I was growing up. Farrow's article basically posits two views: 1.is the "traditional" reformed view that attempts to safeguard a notion of Christ's ontological body, existing in space and time, quite distinct from the sacramental elements. This perspective reminds me of something a youth leader said to me back in high school: "We don't have sacraments; we have ordinances." At the time, I took him to be mincing words, but since then I have come to wonder if it really wasn't just an excuse to not deal with the tensions of being in a rather new tradition that has failed to articulate a metaphysic. Anyway, the problem with this for Farrow is how it radically seperates our materiality from Christ's, and the Gnostic connotation of the worshipper engaged in some mental/spiritual connection to Christ.

The 2nd view is is the RC perspective, best articulated by Thomas, summarized by Farrow:

"by virtue of His divine omnipresence and omnipotence as the Logos, Jesus is able to provide on earth a eucharistic form of His humanity under the accidents of bread and wine, making present (albeit non-spatially) the actual substance of His exalted body and blood” (p. 171)
Calvin provides the foil to this view. For Calvin, the power of the Eucharist is not in dilluting Christ's humanity, but rather in transporting us to heaven in union with Christ - a kind of beatific experience, it seems.

I won't summarize the rest of the posts from Per Caritatem here, but rather direct your attention to the links to each post: Part 1, Part 2, Part 3.

The series followed a post on an article on the Eucharist by Catherine Pickstock, "Thomas Aquinas and the Quest for the Eucharist." The post highlights Pickstock's work with "Desire" and the allegory of the Grail. Here's an interesting quote from Pickstock that seems to encapsulate most of the summary from Per Caritatem:
"Thus we can see that what the Eucharist is is desire. Although we know via desire, or wanting to know, and this circumstance alone resolves the aporia of learning, beyond this we discover that what there is to know is desire. But not desire as absence, lack and perpetual postponement; rather, desire as the free flow of actualization, perpetually renewed and never foreclosed” (pp. 178-179).
These posts got me thinking about how one might capture the distinctiveness of an Anglican view of the Eucharist. Rowan Williams talks about Hooker's doctrine of Christology and Sacraments in his book, Anglican Identities. A major theme Williams brings out is Hooker's emphasis of the incarnation as the redemption (or "restoration") of humanity via the work of the Holy Spirit, not simply a relationship of solidarity by virtue of his being human: "it is a relation with a humanity itself already transfigured (not annihilated)by the outpouring of a divine gift." The Holy Spirit can act upon and through us in multiple ways, including by not limited to the Eucharist - however one may theorize the relationship of Christ to the elements.
"Papist error about the Eucharist is less in the doctrine of transubstantiation as such than in the insistence on this as the only legitimate account of how Christ acts... Hooker can say, boldly, 'there ensueth a kind of transubstantiation in us (67.2, p. 358); [similarly] Herbert argues that Christ died for humanity, not for bread, so it is the former that needs changing..."
While Hooker doesn't seem to want to spend a lot of time fleshing out the metaphysics of the Sacraments, the point is clear: Christ acts on us through his gifts. "Receive the gift of divine action and the effects of divine action follow - in Christ's humanity, in the bread and the wine, in the holy person."

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Friday, May 11, 2007

Aron is in Seatle with his family this weekend (Bon Voyage, Aron), and I'm dealing with a broken AC and refrigerator, and one hot, uncomfortable baby. So, if we are a little scarce this weekend, I apologize in advance. While you await the advent of our next burst of posts, please go see Into Great Silence, and check out the First Thing's Blog's post on Bob Dylan's theological relevance. Here's a little teaser:

It would be interesting to know what message Pope Benedict thinks Bob Dylan’s songs espouse.

Read the rest here.

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U of St. Andrews to host conference on "Beauty"


If only I had unlimited funds and unlimited time, I'd probably forgo schooling and just read journals, attend conferences, and scope out local restaurants in the world's great cities. As it seems improbable that any of you, our dear TLOU readers, are in the position to become my patron, then I must ask that whichever of you are nearest to St. Andrews must attend and record/videotape/take the best notes of your life, especially at Nick Wolterstorff's talk. I would pay good money to have that session. really.

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Wednesday, May 9, 2007

Spider Man III: Aesthetic Opus, or Bricolage Mishap?

While I don't usually subscribe to the Action Hero genre, I did attend the newest instalment of Sam Raimi's SpiderMan series. Back in 2002, Kate and I were looking for something fun to see as a date, not that we're that typical in our dating habits... ok, we are. Anyway, since then, each new Spiderman has been something of a tongue-in-cheek event for us. So, before my memory of the movie evaporates into the vacuous wasteland in which I put most other Hollywood spectacles, a few thoughts.

This Spiderman is certainly more adventurous that the first two in 2 ways (or, at least, I only noticed two - remember, it was a date). From the beginning of the movie, the audience is introduced to classic music and staging, recalling the age of Swing and Fred Astaire musicals. Raimi even goes so far to have Mary Jane walking down a circular staircase in a white satin gown, a hat tip to era pieces like Ziegfield's Follies. And the swinging-ness doesn't end there.

Enter the New Goblin, and then Sandman, and then Topher Grace, and then problems with Mary Jane... blah blah. Anyway, the second theme of the movie - memory - makes its first entrance with its dissappearance, that is Harry Osborn's amnesia from his short fight with Spiderman. This amnesia leads to a complete turn in Harry's behavior: he takes up painting, smiling, cooking, anything lighthearted enough to make him seem happy-go-lucky enough to distinguish him sharply from his father's alter-ego.

Whereas Harry forgets, Peter's memory haunts him. He seems incredulous that Harry has forgotten his former hatred. Then, he becomes obsessed with finding his uncle's killer. He has visions of his uncle's death, and his culpability in it. His vices win out when finally they congeal, represented by a substance from space that looks conspicuously like the X-Files' Black Oil. His clothes himself in his guilt, becoming the audacious Black Spiderman. He initially finds the increase in testosterone, or real-super-powers, maybe both, exhilirating. However, it blinds him to the plight of others. After he thinks he's killed the Sandman, he looses all sense of himself and becomes a cabaret-esque jigilo.

The dance scene is amazing; not so much for its artistry. Rather, this entire segment (on Peter's new, hubristic relationship to the world) seems so incongruous to the rest of the trilogy. Peter's dance is so frenetic, so Disney, that I couldn't help but laugh through the whole thing. It's at the same time both ridiculous and radical, like a scene from Jim Carey's Mask fused to a dance in Cabaret. Of course, Peter becomes disgusted with this new self, and attempts to shed his guilt by ripping the black suit from himself. However, the suit won't be silenced, and latches on to another, one so obsessed with revenge that he is in a church praying to God that he kill Peter Parker.

While the movie is clearly cheesey at times, and indulges in the spectacle throughout, there are certainly some insightful elements (I guess I'm thinking like a high school teacher here) that could be useful for demonstrating sometimes hard to grasp concepts like the communal nature of sin, the long term effects of habits (Peter's increasing aggression and jigilo-ness as he chooses to use the black suit more often), and the power of memory in making ethical decisions... and maybe the importance of real church bells instead of recordings in fighting off evil black substances from other planets!

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Monday, May 7, 2007

On the film "Die Grosse Stille" (Into Great Silence)

It's worth it just to see them sledding
Or to see a spider moving its foreleg
How moving! Its going to get something to eat!

These monks are as close to children
As spiders are to the grass
Around the vegetable garden

And when they speak. . . .
But they have forgotten exchange
But prayer is changing

A reviewer said that they were aliens
The Word comes from outside us
The Bell clangs from other side of galaxy

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Sunday, May 6, 2007

The Evolution of a Worshipper



Many of you will enjoy this, especially if you're familiar with my and Aron's sunday morning routine.

Thanks to Liquidoxology for the url.

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Saturday, May 5, 2007

TLOU's Birthday

The Land of Unlikeness (TLOU) one week old today. As I look back on the good old days of April 27th and last weekend, I remember the massive campaign Aron and I formulated, and all the good men we lost.

Muchas Gracias to everyone who has participated thus far. We love all four of you dearly.

xxxooo

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Evolving with miracles

Ch. 1 Q. 3 of Hall's Theological Outlines gets into the relations of miracles to the natural order of things with Hall holding that miracles are necessary in order for evolution to take place:

The advance of the αίών requires innovations, steps, and the entrance of higher forces than those previously resident in the κόσμος. The evolutionary hypothesis requires this supposition; and, unless we become materialists, we must assume that the progress of cosmical development, however gradual, depends upon an involution of forces which are supernatural to the previously existing natures which undergo development.

Maybe someone (Janet?) can let me know if this is hopelessly out of date. . . . but I do like his his use of cosmos and aion, reminds me a little bit of the way the structuralists talked about synchrony (cosmos) and diachrony (aion). Again perhaps Janet can let me know if this is off or on, here or there, or neither. I am a little surprised that Hall considers these evolutionary advances to be miracles (supernatural events which inspire wonder) rather than events like the sacrament of the host, which is supernatural but invisible and thus not technically a miracle.

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Friday, May 4, 2007

Question 2: The Supernatural

Thanks Dan for starting off our conversation of Francis Hall's Theological Outlines. Lets have a go at question 2, on the supernatural. While I thought he opened clearly with his definition of theology, some confusion immediately comes in when he starts in on the supernatural , or at least some terms go by without being well explained. Of course, "the supernatural" is a huge topic, especially when we also look at philosophical concerns (which he apparently wants to do). I would like to quote this bit at the end though, and then make a brief comment: "Certain writers err in supposing that the distinction between lower and higher natures and between the forces resident in them (for this is what the distinction between natural and supernatural really means) has the effect of banishing God from nature and of reducing nature's Divine significance. It is God that worketh whether He employs the forces resident in lower or higher natures, or dispenses with the use of means." In other words, grace founds nature, as Balthasar and de Lubac stressed. And if we look at Hall's definition of supernatural, which is anything the causation of which cannot be assigned to visible or human means, then obviously men and women are fundamentally graced, and all of the natural causes which they assign and effect come from grace. Balthasar makes the same point at the end of "Love Alone" and it really grounds his understanding of universal salvation. More on that later.

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Faith and Theology Blog's Worst Theological Invention Poll

Very funny and, suprisingly, insightful results to Ben Myer's "Worst Theological Invention" Poll on his Blog, Faith and Theology. In the couple weeks that the poll was open, 579 readers voted, with a resultant tie between "Biblical Inerrancy" and "Christendom", each with 18% of the votes. The most interesting aspect of that result was that most votes for (or against?) Inerrancy came from N. America, and those for Christendom came from Asia and Europe. Talk about biting the hand that feeds and slaps you.

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Marilyn Adams and the Trouble with Anglican Polity

Thanks to links from Generous Orthodoxy and Medius Temporis, I direct your attention to a recent speech by Marily McCord Adams, Regius Professor of Divinity at Oxford (Christ Church), on the fate of LGBT and female ordination in the wake of the recent Primate Meeting.

Adams offers a helpful, while opinionated, reading of the situation. I say helpful because she attempts to present a broad scope reading of the situation before launching into detailed critique and suggestions for ways forward. She also makes the theology behind many of her clear to the audience. However, she fails in one area: she begs the question about the equivalence between sexual identity and personal identity. Yet, I admit that had she stated from the get go that such was her presupposition, I believe I probably could hang with the arguments that she had built from the presupposition.

Nevertheless, I think its safe, and sad, to say that many will be drawn to the mercifully irenic tone of her argument when compared with the alternative offered by Forward in Faith, which spends much less time telling a convincing story and much more time bickering details.

Aron said the other day that he thought the way forward in this argument is not the political bashing and name calling that even the Anglo-catholics have resorted to these days. Rather, the solution must come from well-reasoned and charitable theological formulations. Hopefully, Adams can continue to move in this direction and encourage others to follow.

Moreover, as recently re-iterated to me by a much loved priest, the Church is once again becoming embroiled in another difficult controversy to which many are directing much attention when they should be attending to the details and needs of their own parishes and dioceses.

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Thursday, May 3, 2007

The Heroic Generation and Art Criticism's Tower of Babel

Today, Matthew Milliner, an Art History student at Princeton Univ., posted a reflection on Reno's article, which I wrote about yesterday. Milliner begins by recounting the recent art conference, Retracing the Expanded Field, at Princeton's School of Architecture. The conference included art critic legends like Hal Foster, who seem now to be arguing the same thing about the practice of Art Criticism as Reno does about Theology, namely that revolutionary movements in art, Post-modernisms namely, have been great for shaking up the paradigms, but they've done so to the extent that Criticism has yet to find a unified machinery from which to continue to assess art. Like the Heroic Generation, figures like Piet Mondrian and Andre Malraux (to use Milliner's examples), gained enough momentum to attract a following, but failed to provide a stable "baseline" from which others could grow or rebel. Now, many are without enough of a tradition or background to converse gainfully with others in the field, resulting in a kind of Babel experience. Milliner goes on to conclude that as with the supposed break of the Heroic Generation with the 2 centuries of theological neo-scholasticism before them, so the "post-moderns" broke with those before them, like the New Criticism group (Clement Greenberg, et. al.).

After posting on Reno's article yesterday, I began thinking more about the argument he made, that in criticizing the ethos of neo-scholasticism the Heroic Generation (HG) were in fact fatally disrupting the stability of RC theology. The so-called "baseline" deteriorated until at last the students of the HG had failed to develop the requisite tools to dialogue with the very generation of theology that the HG sought to "rebel against". What I want to reevaluate here is this notion that the HG is necessarily or entirely to blame for the atrophy of theological acumen Reno so detests in theological education today. Let me state that I, too, am unhappy with the lack of agility and breadth in the theological academy today. However, I am unconvinced that everyone he lists is culpable, or at least as culpable as he makes them out to be.

Balthasar, for instance, spends a good deal of time relating his own project to the last two centuries preceeding him. His analyses of figures like Bruno and Goethe, for instance, are some of the best in vol 5 of his Glory of the Lord. However, they are not disavowals of traditional catholic theology, but rather affirmations of traditional concepts in RC theology. Ironically, many of the arguments Reno makes against the HG are also arguments Balthasar makes about the orthodox theological generations preceeding him. They hadn't so much lead their students astray, rather they had relinquished the power of theology, whether in losing so much of the brilliance of the Fathers (Denys, Maximus), or in the lack of catholic scope in evaluating the movements of the Rennaissance or Romantic period. Reno calls for a Ressourcement of the Neo-scholastics as a base for theology, but why not go even further with Balthasar, Congar, and de Lubac - the orginal Ressourcement and unconvering the Fathers as a our stable base?

Going back to Milliner's argument, I am worried about his criticism of the post-moderns' rebellion against earlier movements like the New Criticism, which along with Clive Bell, Jerome Stolnitz, and most of the modern art world, elevated the work of art to an untenable status of "purposeless", "useless", and "an end in itself". Milliner's quote of Mondrian and Malruax's deification of art - "it is hallowed by its association with a vague deity known as Art" - only echoes stronger claims once made by Bell and reified (albeit in a more "responsible" academic form) by Stolnitz. Likewise, the French Ressourcement calls our attention to some of the more troubling foundations of modern theology laid by early modern theologians and philosophers. Seen in this light, they serve more as a agents of internal critique and less like Reno portrays them as external innovators and excursionists. In fact, Reno's argument might have fared better considering Rahner alone, as his theology served the purposes of the more liberal and unorthodox forms of theology today than Balthasar's.

Just as Milliner seems to be lamenting the confused state of Art Criticism today and seeks a stable and universal language with which to move the dialogue forward, so too Reno seems to wish for the good ol' days when theologians sat on the stoop and built the great edifice of scholastic theology, brick by brick, all talking the same language. I guess I'm just not very convinced we can or should return to such a tower.

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Wednesday, May 2, 2007

R. R. Reno on the "Heroic Generation" and Theological Education


Rusty Reno has a great review article over at the First Things website of Fergus Kerr's new book, Twentieth-Century Catholic Theologians: From Chenu to Ratzinger, on the last generation of Catholic theologians, covering greats like Yves Congar, de Lubac, Balthasar, and Rahner. The book actually goes all the way through JP II and Ratzinger/Benedict. Meant not as much as a survey of all RC 20th and 21st C theology, but rather as an examination of what Kerr considers the archetypes of RC theology in the last century, Reno lauds Kerr's decision to consider how these theologians "fundamentally changed the way in which the Church thinks." These are the theologians of the "Heroic Generation".

Since I'm pretty sure you have to be a subscriber to FT, and will therefore not be able to follow the above link, I'll do my best to highlight the salient points of the article, although you really should try to get your hands on it or, better yet, buy the book.

Kerr chose this particular group because he believes each in his own way articulates a form of post-neoscholastic RC theology. To be sure, the variance between each occurs in greater and lesser degrees. Whereas the distance between de Lubac and Ratzinger is bridged nicely by Balthasar, it could be argued that there is a fundamental split between Rahner and Balthasar. Thus, Kerr's survey functions less like Frei's "typology" and more like a historical text, exploring the nuances of these theologians' projects within the larger scheme of church theology of the time.

In this respect, one of the most interesting arguments, as Reno points out, regarding the attrition in RC theological culture after Vatican II. I know little about Bernard Lonergan, so I was surprised to learn that Kerr considers him to be one of the most acute philosophical minds in this group. Lonergan, according to Kerr, successfully overcame the dualistic, scholastic reading of Thomas, and proposed in his 1972 Grace and Freedom: Operative Grace in the Thought of St. Thomas Aquinas a new way of understanding Thomas that was more sensitive to recent Continental developments. However, with Vatican II and the concurrent distaste for neo-scholasticism came a diminished vocabulary and skill set among theology students - they couldn't grasp either the original debate about neo-scholasticism or Lonergan's creative solution. In this way, Lonergan's impact was small, although his contribution was potentially large.

Reno states that Kerr makes a similar argument about Henri de Lubac and the loss of his unique contribution with the loss of fluency with Thomism, but I would disagree slightly here. Students, both of philosophy and theology, are rediscovering de Lubac on two fronts. First, von Balthasar's mediation of Lubac is worth noting, and as Balthasar's coverage grows, so does Lubac's. Second, Lubac's work on Surnaturel and similar works are gaining popularity among philosophy students who have followed the Derrida/Marion and Zizek/Badiou trains as far as they can go. Creative, orthodox theology seems to have something to offer them that exotic philosophies couldn't.

Reno ends the article by extolling the virtue of a stable, culture forming theology, geared toward educating the church in "the common framework and vocabulary, to prepare them to become full participants in the theological project." A "exploratory theologian" himself, he recalls popular dismissals of "dusty" Thomism and encourages, with Pope Leo XIII's 1879 Aeterni Patris, the reader to recognize that "without a standard theology, the Church will lack precisely the sort of internally coherent and widespread theological culture that is necessary for understanding and employing bold new experiments and fruitful recoveries of past traditions." Yet, while these archetypes of the Heroic Generation were largely innovators and criticized the status quo Thomism, they weren't seeking to destroy the base, necessarily, but Reno faults many of them, including an acrimonious bit toward von Balthasar for offering "only criticism, much of it bitter and dismissive, and he launched out in new directions with little regard for the official, mainstream theologies of the day." Had Balthasar attempted to engage theological education, Reno argues, there might have been some constructive value in offering his theology in an introduction to Catholic Theology. However, as it stands, Reno advocates in stead a critical examination of the time that these thinkers worked in. Although they offered many biting criticisms and little constructive engagements with Traditional theological education, we should strive to understand the problems they were trying to correct within their context. "[T]he old theological culture of the Church has largely been destroyed, while the Heroic Generation did not, perhaps could not, formulate a workable, teachable alternative to take its place." To this extent Reno practically blames Balthasar and others for creating the vacuum that Rahner ended up filling.

Today, lacking the educational and theological base that made thinkers like Balthasar and Rahner possible, Reno calls for a renewal of theology that cares about the concerns and suggestions made by the "Heroic Generation", but that also seriously evaluates and compensates for their errors.
Reno demonstrates his chastened appropriation in the last paragraph by calling for a ressourcement, this time one that doesn't only creatively summon the brilliance of the Patristics and Medievals, but one that also recovers the riches of the neo-scholastic period in light of the Heroic Generation.

"To overcome the poverty of the present, our generation must base its theological vision on a fuller, deeper form of ressourcement, one that discerns the essential continuity of the last two hundred years of Catholic theology. After an era of creativity, exploration, and discontinuity, much of it fruitful and perhaps necessary, we need a period of consolidation that allows us to integrate the lasting achievements of the Heroic Generation into a renewed standard theology."

Reno is right to recall our attention to the lost theologians of the 18th and 19th centuries. As recent work in Schliermacher has demonstrated, sometimes the theologians influenced by the events and philosophies of the European continent in the 20th century were too hasty in the dismissals of such figures. Maybe we can see what they couldn't thanks to their insights. Maybe our sensibilities, having been admonished by the "Heroic Generation", enjoy a special perspective that allows us to hang in the balance between those neo-scholastic minds and the post-war, Vatican II intellectuals.

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Tuesday, May 1, 2007

Francis Hall, 1 - On the science of Theology

Aron and I recently came up Francis Hall's Theological Outlines over at the Disseminary. Since the nice fellas over there uploaded all three volumes of the Outlines, we decided we should read them. So, until we finish them, or get tired of them, or you get tired of us, we're occasionally going to use this blog as a forum for discussion on the Outlines. We invite you to join us.
By way of introduction, let's look at Hall himself first.

Hall (1857-1933)was a priest and professor, at one time Chair of Dogmatic Theology at General Theological Seminary in NY. He was an active Anglo-catholic, and delivered a rousing essay on re-union of the Catholic Church at the 2nd Anglo-catholic Congress in 1923. From 1892-95, he wrote the three vols of the outlines. Then, from 1908-1922 he published the 10 volumes Dogmatic Theolgy.

Tonight, I'll quickly summarize the first section, a response to the question, "What is Theology?" Like any good systematician, Hall answers that Theology is a science, specifically the science of anything and everything that relates to God. Naturally, this means that not a thing falls outside the purview of theology. "Theology cannot be shut out from any sphere of being or fact, but treats of all things in so far as they are related to God and Divine purposes." Rather, theology, as our knowledge of God's natural and supernatural dealings (but especially in our world) is nourished by the involvement and findings of the other disciplines. So, while there should be a conservative element and compulsion in theology vs. a willy nilly rejection of tradition, there is also a progressive movement always happening in theology as the other disciplines and theologians make new discoveries. "Theology is a progressive science, for it can never exhaust the scientific bearings of the Faith; and is enriched by every increase in natural knowledge, in so far as such knowledge throws light upon Divine operations and purposes."

NB. Hall declares at the opening of his 4th footnote - a rather long footnote in which he outlines the history of the Systematic and Dogmatic theology tome - that "Anglican literature lacks a really complete treatise of Dogmatic Theology."


Not much has changed in over 100 years.

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